In his attempts to do this he unravels a knotty puzzle involving double agents, the GRU (the military arm of the KGB), the old head of SMERSH and of course a beautiful woman. His travels take him first to Ireland and then to Hong Kong. There is a dollop of sexism and some mild racial stereotypes to cope with along the way, but in this respect Gardner mirrors Ian Fleming very well (whether this is a concerted effort is arguable). The final scenes where Bond is being hunted by four assassins on a small island off the coast of Hong Kong are excellently paced and executed by Gardner. Exposition is scattered about the book where required rather than being lumped at the end and the plot for once is wholly believable. This is a great book. Test sonucu pozitif çıkanlar, SMS ile bilgilendirilerek casino sisteme yönlendiriliyor, “online muayene” randevusu alanlar, ilgili branştaki doktoru ile görüşme yapabiliyor.
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Two former undercover agents have been killed and M asks Bond to protect the remaining three members of the team. It's a basic and believable story with little reliance on ultramodern (for the eighties) technology or gadgetry, skips over the aspects Gardner's vision of Bond dug into in the previous novels, and is much more like something Fleming would have penned. Bond still lacks some of the depth of character that Fleming gave him, but at least doesn't seem to contradict the original character. There are moments where Bond's apparent age flickers between his thirties and sixties, but it's hidden well and easy to suspend disbelief of this minor aspect. A good adventure, and if the rest of Gardner's novels follow the style of this one then I'll be very pleased. Impressive stuff. John Gardner gives Ian Fleming a run for his money, bringing Bond into the modern-ish era in a style which probably fits Pierce Brosnan's 007 if anything. Fleming had the tendency to overindulge in unnecessary scenic detail which sometimes made getting from page to page seem a great effort. Akarsular vawada.
The writing is flat, the chit-chat between Bond and the Irish characters reminded me of one of those awful John Wayne/John Ford cavalry westerns: 'Top o'the mornin' to ye, captain darlin''. The girlie shows off her bubs but Bond manfully resists hopping into bed with her. And how old must May be now? I suppose the overall decline in standards mirrors that of the films - which were all parodies of the novels anyway, with the possible exception of 'From Russia With Love'. God knows Fleming wasn't always on top form (try re-reading 'Diamonds Are Forever' for starters), but, at his best, in 'Casino Royale', he was a writer to match any in the post-war period. Only Kingsley Amis came close.
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